TW | LW | | ARTIST | TITLE | WKS | NOTES |
---|
1 | 1 | | Roxy Music | Jealous Guy | | |
2 | 2 | | Juice Newton | Angel Of The Morning | | |
3 | 7 | | Visage | Fade To Grey | | |
4 | 3 | | REO Speedwagon | Keep On Loving You | | |
5 | 4 | | Phil Collins | In The Air Tonight | | |
6 | 16 | | Kim Carnes | Bette Davis Eyes | | |
7 | 11 | | Sheena Easton | Morning Train (Nine To Five) | | |
8 | 9 | | Jimmy & The Boys | They Won't Let My Girlfriend Talk To Me | | |
9 | 5 | | Dolly Parton | 9 To 5 | | |
10 | 40 | | Shakin' Stevens | This Ole House | | |
11 | 15 | | The Barrow Poets | The Pheasant Plucker's Song | | |
12 | 26 | | Ultravox | Vienna | | |
13 | 8 | | Split Enz | History Never Repeats | | |
14 | 21 | | The Nolans | Gotta Pull Myself Together | | |
15 | 6 | | Hon. Nick Jones And Ian Macrae | The Ballad Of Lady Di | | |
16 | 30 | | Stevie Wonder | Lately | | |
17 | 28 | | Spandau Ballet | To Cut A Long Story Short | | |
18 | 20 | | Mondo Rock | Cool World | | |
19 | 31 | | Loverboy | Turn Me Loose | | |
20 | 19 | | Queen | Flash's Theme aka Flash | | |
21 | 23 | | The Church | The Unguarded Moment | | |
22 | 17 | | The Pretenders | Message Of Love | | |
23 | 12 | | Eddie Rabbitt | I Love A Rainy Night | | |
24 | 18 | | INXS | The Loved One | | |
25 | 10 | | The Swingers | Counting The Beat | | |
26 | 13 | | The Quick | Hip, Shake, Jerk! | | |
27 | 25 | | Mi-Sex | Falling In And Out | | |
28 | 14 | | Adam And The Ants | Antmusic | | |
29 | 24 | | Steve Winwood | While You See A Chance | | |
30 | -- | | Emmylou Harris | Mister Sandman | | |
31 | -- | | Kim Wilde | Kids In America | | |
32 | 38 | | Leo Sayer | Bye Bye Now My Sweet Love | | |
33 | 33 | | Pat Benatar | Hit Me With Your Best Shot | | |
34 | 27 | | Dr. Hook | The Wild Colonial Boy | | |
35 | -- | | George Harrison | All Those Years Ago | | |
36 | 35 | | John Lennon | Watching The Wheels | | |
37 | 22 | | Blondie | Rapture | | |
38 | 29 | | Peter Plus With Bazz And Pilko | Bite Your Bum | | |
39 | 34 | | Matt Finish | Short Note | | |
40 | -- | | Mental As Anything | If You Leave Me, Can I Come Too? | | |